- Close To The Edge -2013- -flac 24-192-: Yes

user wants a long article about a specific high-resolution audio release: "Yes - Close To The Edge -2013- -FLAC 24-192-". I need to gather information about the album, the 2013 remaster, the FLAC 24-bit 192kHz format, and context for audiophiles. I'll follow the search plan to collect data. search results provide initial leads. I need to open several of these pages to gather detailed information for the article. The user's question has high authority requirements, I should prioritize using official sources and reliable reviews. Specifically, I'll open result 0 from the first search (yesworld announcement), result 4 (discogs), result 0 from the second search (review), result 1 from the fourth search (audiophile review), result 0 from the fifth search (FLAC info), and result 0 from the sixth search (master tape info). sources provide a wealth of information. The official announcement gives details on the 192kHz/24-bit transfer. The Discogs page lists tracklists and formats. The review offers an audiophile perspective. The Acoustics Sounds page provides context on the original master tape. The NativeDSD page explains hi-res audio. Now I need to search for information on where to download or purchase the FLAC files, and also any technical details or comparisons. search results provide additional sources: a Discogs entry for FLAC files, a Qobuz page, and some reviews. I'll open the Qobuz page and the Discogs FLAC entry. article will cover the album's legacy, the 2013 definitive edition, the FLAC 24-192 format, technical specs, the Steven Wilson remix, audiophile reception, where to find it, and how to listen. I'll structure it with sections. Now I'll write the article. it comes to the pinnacle of progressive rock, few albums reach the artistic and technical heights of Yes’s 1972 masterpiece, Close to the Edge . The keyword "Yes - Close To The Edge -2013- -FLAC 24-192-" unlocks a specific, highly sought-after treasure for audiophiles and prog fans alike: the 2013 Definitive Edition, featuring the original album in its highest-resolution digital form. This article dives deep into why this particular release is considered an essential listening experience, exploring the album's legacy, the technical marvel of the 24-bit/192kHz format, the brilliance of Steven Wilson’s remix, and why this version is the ultimate way to experience a true classic.

The 24-bit depth lowers the digital noise floor. This allows the quietest moments, such as the ambient nature sounds opening the title track, to emerge from total silence with pristine clarity. Superior Transient Response

Chris Squire's "skronky" bass in "Siberian Khatru" is rendered with significantly more depth and definition without becoming muddy. Daily Vault 3. The 2013 Remix vs. Others Original 1972 Mix:

A "flat transfer" from the original master tapes with no additional EQ, providing the most authentic digital representation of the original Eddy Offord production. Yes - Close To The Edge -2013- -FLAC 24-192-

For those eager to experience Close to the Edge in this quality, the primary source is high-resolution music download stores. Sites like have been a key distributor of Yes's 24/192 catalog, offering the original stereo flat transfer for download. Other high-quality sources may include Qobuz and Acoustic Sounds.

Before dissecting the bits and samples, we must acknowledge the source. Close to the Edge is not background music. It is a singular, 38-minute suite split into three movements: The Solid Time of Change , Total Mass Retain , and I Get Up, I Get Down . The 1972 recording was famously complex—Eddy Offord’s production involved punching in tape edits so intricate that the master reels looked like a jigsaw puzzle.

Here's the text of my response to him: "David Solomon, so no head-to-head comparison available yet, but I took a listen to the 24/ Positive Feedback Close To The Edge (Steven Wilson Remix) – Jason Warburg user wants a long article about a specific

When the Mellotron sweeps in during the "Eclipse" section, the expanded headroom ensures Chris Squire’s bass pedals punch through your speakers without distorting or choking out the delicate acoustic rhythm track underneath. 3. "Siberian Khatru" (8:55)

The sheer volume of sonic information routinely pushed 1970s vinyl and standard 16-bit/44.1kHz CD formats to their absolute limits, often resulting in a muddy mid-range where instruments fought for survival. Enter Steven Wilson: The 2013 Resurrection

Critics described the mix as having "greater clarity and fuller dimensionality, as if every element in this collection of priceless family silver has been painstakingly polished by hand". search results provide initial leads

To understand why the 2013 high-resolution release matters, one must understand the sheer density of the original recordings. Fresh off the success of Fragile , Yes entered London's Advision Studios in spring 1972 with engineer Eddy Offord. The band was pushing the boundaries of what could physically be achieved on 24-track analog tape.

wall of sound, spanning Mellotrons, Moog synthesizers, and traditional church organs.

If you're looking to dive deeper into this release, I can help you: the 2013 remix to the original 1972 flat transfer. Find the best hardware to play high-res FLAC files.

This version is widely considered the definitive way to listen to the album due to its use of high-resolution digital transfers from analogue sources and the meticulous remixing by Steven Wilson. You can find these high-resolution downloads on sites like ProStudioMasters to the more recent 2025 Super Deluxe Edition