What made Belgium unique was its . The Decreet betreffende de radio-omroep (1987) allowed public broadcasters to produce "socially relevant content without prior censorship." Combined with Belgium’s fragmented political structure (Flemish, French, and German communities each with their own media councils), creators could shop for the most permissive interpretation of "entertainment."
While intended as a progressive instructional guide for European teenagers aged 11 and up, the film's reliance on explicit, real-world imagery rather than diagrams has led to contemporary debate regarding its presentation style. The Evolution of European Sex Education Media
In the early 90s, Belgium was actually at the forefront of progressive sexual education. If you are looking for archival footage or a specific documentary from 1991, your best bet is to check specialized historical archives or public broadcasting databases like or the SOMA-CEGES archives, which often house "vlaamse klassiekers" and educational materials from that era [1, 2].
This was that blurred lines: it was sold next to candy bars, but it contained life-saving information about contraception.
Did you experience Belgian television in 1991? Share your memories of watching these programs in the comments below. How did they shape your understanding of health and relationships?
The video featured real doctors, real diagrams, and then... real actors simulating sexual situations with the emotional warmth of a weather forecast. Imagine a man and a woman, lying stiffly in a twin bed, demonstrating how to put on a condom using a banana, while a narrator with a soothing, monotone voice explains the importance of lubrication.
On the evening of March 11, 1991, the Flemish public broadcaster BRTN (now VRT) aired an episode of the long-running health program Gezondheid . But this was no ordinary episode. Titled “Voorlichting: Meer dan de Mechaniek” (Information: More Than the Mechanics), it featured a graphic, medically accurate, yet humanist discussion of sexuality, contraception, and consent. The twist? It was followed by a live call-in segment hosted by a young, irreverent presenter named Phara de Aguirre.
The year 1991 was a watershed moment for the Belgian entertainment and media landscape, particularly in Flanders. It marked the deeper integration of commercial television, the official renaming of the public broadcaster to BRTN (Belgische Radio- en Televisieomroep Nederlandstalige uitzendingen), and a significant legislative push toward structured (public information and education) within both entertainment and consumer media .
: The film covers standard pedagogical topics, including anatomy, hygiene, masturbation, menstruation, and reproduction. Critical Context and Availability Explicit Nature
While public broadcasters tread carefully, the private rental market exploded. In 1991, Belgium had no equivalent of the US MPAA ratings for educational content. Entrepreneurs exploited this. A chain called Video Express (Brussels, Liège, Antwerp) launched a sub-label: “Voorlichting Plus.” These were 60-minute tapes featuring explicit sexual demonstrations (actors, condoms, lubricants) narrated by a calm Flemish voice. They were sold as "marital aids" but rented by curious teens.
So, to anyone who remembers hiding behind the couch when the banana came out: congratulations. You survived. And you probably learned something, too.
: Entertainment content in 1991 began to blend "voorlichting" (education) with drama and comedy. A landmark example is the series Sexuele Voorlichting (1991), which utilized an innovative mix of scripted drama and documentary-style interviews with real young people to discuss relationships and romance. Legal and Technical Frameworks of 1991


