"Good evening, my lovely little slaves to fate."
Shishimai Rinka was a highschooler who ran a small café named Lion House in place of her grandmother. She lived her life much like any other person her age, but one day, she was caught up in an explosion while returning home on the train alongside her friend, Hitsuji Naomi. In an attempt to save her friend's life, she shields her on instinct the moment the explosion goes off, losing her life in the process. However, before she knew it, she was back at Lion House, happily chatting with her friends as if nothing had happened in the first place.
A few days later, she found herself in a strange world. Here she met Parca, an odd girl claiming to be a goddess. It turns out that she had somehow become a participant in Divine Selection, a ritual carried out over twelve weeks by twelve people, which allowed them to compete in order to undo their deaths. What shocked Rinka most of all, however, was the presence of her friend Mishima Miharu amongst the twelve.
In order to make it through Divine Selection, one must eliminate others by gathering information regarding their name, cause of death and regret in the real world, then "electing" them.
This turn of events would lead to her learning about the truth behind her death, as well as her own personal regrets. She would also come to face the reality that Miharu was willing to throw her life away for her sake, as well as the extents to which the other participants would go to in order to live through to the end.
Far more experiences than she ever could have imagined awaited her now, but where will her resolve lead her once all is said and done...?
こんにちは、あいうえおカンパニー代表の飯田(あけお)です。
「FATAL TWELVE」のKICKSTARTERキャンペーンは、皆様のおかげで無事、目標金額に到達することができました。
ご支援いただいた皆様、本当にありがとうございました。
遅ればせながら、この場を借りてお礼を申し上げます。
振り返ってみると、キャンペーンの1か月間は長いようでとても短い期間でした。
キャンペーンの開始からおよそ1時間で目標額の半分近くに到達し、その後も約10日間で最初のゴールを達成しました。
最終的なキャンペーンの総額は$50,516、支援人数は1,089名、中国語・フランス語への翻訳決定というストレッチゴールまで到達いたしました。
念願のフルボイス化だけでなく、今までにない3ヶ国語への翻訳まで行えることになり、とても嬉しく思っています。
そして多くの皆様に期待していただいている一方で、その期待に応えられるものを制作しなければいけないな、と責任も感じています。
実はこのお礼を書いている時点で既にシナリオは最終段階で、間もなく音声収録のための台本化作業となっています。
これからは演出の指定やイラスト等の素材制作、そしてゲームとして組んでいく作業が本格的に進行していきます。
お届けまでいましばらくお待ちください。
最後に、個人的な感想を。
昨年の夏「FATAL TWELVE」を発表した時点でKICKSTARTERの実施はほぼ決まっていたのですが、時期やリターン内容、コストの確認、HPやPVの制作など想像以上に準備が多く、無事キャンペーンを開始できた時点でほっとしておりました。
結果を見ると想像以上に多くの方からご支援いただき、飛び上がりたいくらいに喜んでいます。
このお礼を書いている時点でそろそろシナリオ作業も完結しますが、ラストスパートが迫り胃の痛い限りです。
とはいえ、無事物語にFINと書くことができれば、イラストや音楽の制作、今回は更に収録も待っています!
初めて制作するあいうえおカンパニーのフルボイスゲーム。担当キャストの皆様がどんな演技をしてくださるのか楽しみで仕方がありません。
あらためまして、「FATAL TWELVE」KICKSTARTERキャンペーンにてご支援いただいた皆様、ありがとうございました。
そして「FATAL TWELEVE」に興味を持っていただいた皆様も、ありがとうございました。体験版を公開していますので、この機会にプレイしてみてください。
ぜひ、今後の情報にご期待ください!
以上をもって、KICKSTARTERキャンペーン終了およびお礼のご挨拶とさせていただきます。
今後とも「あいうえおカンパニー」をよろしくお願いいたします。
あいうえおカンパニー代表 飯田泰貴
Davis has consistently broken barriers by portraying fiercely complex, physically commanding, and emotionally raw characters in her 50s and 60s, from The Woman King to Ma Rainey's Black Bottom , proving that authority and vulnerability do not diminish with age. The Television and Streaming Catalyst
: The term "MILF" stands for "Mature Women in Love" or similar interpretations, often used to describe a genre of adult content that features older women. "MILF Science" could imply a thematic approach that blends educational or experimental elements with adult content.
The rise of platforms like Netflix, HBO Max, Apple TV+, and Amazon Prime Video created an insatiable demand for diverse content. Unlike traditional box-office models that rely heavily on opening-weekend demographics (historically skewed toward younger males), streaming platforms thrive on targeted, long-term subscriber retention. Mature audiences, particularly women, represent a massive, loyal subscriber base that demands narratives reflecting their lived experiences. 2. Women Taking the Reins Production MommyGotBoobs - Ava Addams -MILF Science- NEW 0...
Ava Addams is a well-known figure in the adult industry, having started her career in . She is noted for her longevity in the field, with over 17 years of active performance as of 2025. Outside of her career, she is a mother and is fluent in English, French, and Spanish.
The Renaissance of Maturity: How Mature Women Are Redefining Entertainment and Cinema The rise of platforms like Netflix, HBO Max,
The entertainment industry has long been a reflection of societal attitudes towards women, and more specifically, mature women. For decades, women in Hollywood and other forms of entertainment have faced ageism, sexism, and typecasting, limiting their opportunities and roles. However, over the years, there has been a significant shift in the way mature women are represented and perceived in entertainment and cinema.
Modern cinema is gradually untangling itself from the taboo of older female sexuality. Films like Good Luck to You, Leo Grande starring Emma Thompson, or The Matrix Resurrections featuring Carrie-Anne Moss, present mature women as desiring and desirable individuals, challenging the puritanical notion that romantic or sexual agency expires with youth. the empty nest
The fluorescent lights of the "MILF Science" laboratory hummed with a low, monotonous drone, a stark contrast to the chaotic symphony of chemical reactions bubbling in beakers around Dr. Ava Addams. She wasn't your typical scientist; beneath the pristine white lab coat, she wore a sleek pencil skirt and a silk blouse that seemed to defy the laws of physics, just as much as the strange liquids she experimented with. Her dark hair was pulled back in a loose bun, a few rebellious strands framing her face, and her glasses perched precariously on the bridge of her nose as she leaned over a complex readout.
This gaze extends to the production side. For decades, the gatekeepers—studio heads, directors, financiers—were overwhelmingly male. They greenlit stories they understood: male coming-of-age tales, male midlife crises resolved by a sports car or a younger woman. The mature female narrative—menopause, the empty nest, widowhood, sexual reclamation, or simply the quiet power of accumulated wisdom—was deemed "uncommercial." As the actress Frances McDormand famously noted, the industry isn't sexist or ageist; it's a "sexist-ageist industry." The two prejudices intertwine: a woman is first judged by her age because her age is a referendum on her sexual worth.
For those tracking the latest releases, the "NEW" tag in the keyword suggests a recent update or a re-release within a specific video archive or tube site. However, the MILF Science series itself is a established part of her extensive filmography.
Exploring the Wonders of MILF Science with Ava Addams