The title (The Moon) holds symbolic significance, representing the elusive and mystical aspects of human experience. The moon's presence is woven throughout the film, appearing in various guises, from a glowing orb in the night sky to a reflective surface on the yacht's deck.
Exploring Bernardo Bertolucci’s 'La Luna' (1979): A Melodramatic Masterpiece Found on OK.ru
La Luna is a 1979 Italian drama film directed by Bernardo Bertolucci. The movie stars Jane March, David Warbeck, and Maria Cristina Rubini. la luna 1979 movie ok.ru
Bernardo Bertolucci’s 1979 film is a provocative and visually lush drama that explores the complex, taboo-shattering relationship between a mother and her son. While the film is available to stream on platforms like
However, many other critics found the premise ridiculous or offensive, one critic famously said: "It's a ridiculous story about an opera singer who tries to hold onto her 14-year-old junkie son by trying to have sex with him". The film was also seen as overstuffed and self-indulgent, with one reviewer describing it as an "overstuffed, overthought, glorious mess". The movie stars Jane March, David Warbeck, and
: The most famous negative review came from Vincent Canby of The New York Times, who called it "one of the most sublimely foolish movies ever made by a director of Mr. Bertolucci’s acknowledged talents." Roger Ebert was similarly scathing, writing that Bertolucci was trying to force a "soap opera and a Freudian case history... to copulate."
While major subscription platforms frequently rotate their catalogs, user-uploaded video networks like OK.ru are excellent repositories for out-of-print or obscure 20th-century films. The film was also seen as overstuffed and
The director himself revealed the deeply personal genesis of the film. In an interview, Bertolucci explained that the image for La Luna came during a psychoanalysis session when he remembered his mother from his childhood: “Suddenly I saw the moon in the evening sky. And there was a confusion in my mind between the image of the moon and that of my mother’s face.” This "confusion" between the celestial body and the maternal figure became the core metaphor of the film, exploring the blurred lines between nurturing love and destructive passion.