The film's four main vignettes examine taboos across different eras: The Tide (La Marée):
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Immoral Tales sits on a razor-thin line. While heavily explicit, its intricate production design, lavish period costumes, and philosophical undertones separate it from commercial exploitation films of the 1970s. fylm immoral tales 1973 mtrjm kaml may syma may syma 1
The film was intended as a follow-up to Borowczyk’s earlier Goto, Isle of Love (1968) and Blanche (1971), but its explicit nature made it a landmark of European erotic cinema.
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Reviews are often visceral. Some find it a masterpiece of perverse art, praising its "stunning use of framing and aesthetic visuals" and its audacity. Others find it simply dull and jejune, "leaving you guilty and shocked" without providing much substance. A common critique is the film's relentless male gaze, which presents female nudity and sexuality as a spectacle while rarely showing male nudity in equal measure. The film was intended as a follow-up to
Set in the 19th century, this segment centers on a young girl locked in her room who explores her own sexuality and imagination while ostensibly dedicated to Christ. Erzsébet Báthory: