The title is cataloged across major international film databases, which document its regional titles and availability:
: A woman who explores her submissive side and finds pleasure in fulfilling her husband's dominant desires.
Italian "Opera Quarta" typically means the composer's fourth published work (often a set of sonatas or cantatas, not a single opera). For example: Die Versklavte Ehefrau - Opera Quarta - La Mogl...
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Ginevra attempts to flee. Here, the subtitle "La Mogl..." takes on a dual meaning: La Moglie Perduta (The Lost Wife). She loses herself in the labyrinthine streets, only to be dragged back by Ludovico’s henchmen. The ensemble number, "Fünf Stimmen der Knechtschaft" (Five Voices of Servitude), is a terrifying canon where each character—the husband, the priest, the mother-in-law, the servant, the neighbor—sings a different justification for her enslavement (honor, religion, duty, fear, tradition). Musically, it is a masterpiece of contrapuntal horror. The title is cataloged across major international film
The film boasts prominent stars of the 1990s European circuit, including Anita Blond and Dalila, who were frequently cast in Italian, French, and German co-productions due to their crossover appeal in multiple markets.
A major star of 90s European adult film, adding high-profile appeal to the supporting cast. Featured heavily in the film's stylized dream sequences. Francesco Malcom Ginevra attempts to flee
Despite these narrative shortcomings, the film remains an example of the trend toward "glossy" adult features that emerged in Europe during the late 20th century, emphasizing visual style and thematic consistency over high-volume output. La moglie schiava (Video 1996)